Electronic Journal of Music in Education

“I'll be a kindergarten teacher and I don't sing well, but it doesn't matter". Analysis of self-concept and use of the singing voice in Early Childhood Education degree students

Scenic Anxiety in Professional Music Education Studies Learners’

Cecília Gassull, Arantza Lorenzo de Reizábal , Laura González Sanvisens

Abstract

Singing in the classroom is important for children's development and for this to happen teachers must be competent in this activity. This transversal study analyses the use of the singing voice, vocal and emotional self-concept in relation to the context and vocal health of future early childhood education teachers (0-6 years) at three universities. For this purpose, a questionnaire was administered to 240 students (22-45 years; 200 females; 40 males). The results show that only about 30% of the students believe they have a beautiful voice, find it easy to sing in the written pitch and sing in tune and effortlessly. However, those who have a family context where singing is present, not only does their self-concept improve, but also understand that for a teacher it is necessary to sing and sing well, because, among other things, they will be a vocal role model for their students. Although the students perceive themselves to be in good vocal health, this is not what they observe in their internship tutors-mentors, who often use recorded music and present voice alterations. It is concluded that the Early Childhood Education degrees fail to provide enough resources to their students to improve their vocal competence and self-concept.

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Keywords: Self-concept, Singing, Initial Training, Voice Health.
Elvira Montiel Guirado, Esperanza Clares-Clares

Abstract

Music Performance Anxiety (MPA) is a subjective construct of a maladaptive type created by the musician himself. This problem triggers a series of physical, cognitive, and behavioural symptoms that lead to a decreased interpretive effectiveness in public and a risk to the overall health of the sufferer. Therefore, this is a problem that affects musicians, both students and professionals, and constitutes a real obstacle to their careers. In this work, the level of MPA has been measured in learners of Professional Music Education Studies in Murcia (Southeast of Spain). For this purpose, the Spanish version of the K-MPAI (Kenny-Music Performance Anxiety Inventory) questionnaire was given to a sample of 403 students. The results indicate that the factors of MPA that reach higher levels are anxious apprehension, proximal somatic anxiety, and worry/dread. It is concluded that women, wind instrumentalists, students whose parents are musicians, as well as those who have studied music for more years present higher levels of AEM compared to their comparison group counterparts.
Keywords: Musicians; education; stress; conservatory; MPA.